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  • The Annunciation to the Virgin. Engraving by C. Bloemaert, c. 1650, after G. Lanfranco.
  • John baptises Christ; the holy spirit descends. Etching by J. Mynde, c. 1737.
  • The presentation of Jesus to the priest of the Temple. Coloured lithograph by F.S. Hanfstaengl after P. Caliari, il Veronese.
  • Saint Joachim. Stipple engraving by C.J. Pomel, 1818, after N.-J. Blaizot.
  • The Annunciation to the Virgin. Engraving by Hendrik Goltzius, 1594.
  • A dove. Coloured engraving.
  • The angel, announcing the birth of Christ, gives a lily to the Virgin. Etching by N. Le Mire after Dubois after F. Solimena.
  • The canonised Noah. Lithograph by J.G. Schreiner, c. 1840.
  • A laurel branch and a palm branch occupied by a snake and a dove; representing success when cunning (the snake) is allied to simplicity (the dove). Woodcut and letterpress, 1621.
  • A bustard, peacock and peahen, stock dove and squirrel in the grounds of a large house. Etching by F. Place after F. Barlow.
  • Birds in a farmyard: magpie, sparrow, turkey, dove, cockerel and hen. Etching by J. Griffier after F. Barlow.
  • Bishop Frigidian (Fridian, Frediano) flanked by Saint Lucy, a donor, Saint Ursula and Saint James. Drawing by F. Rosaspina, c. 1830, after G. Francia.
  • The Annunciation to the Virgin. Engraving by N. de Bruyn, 1622.
  • Aeson is rejuvenated by having his blood replaced by magic juices in a boiling vat; representing the process of self-destruction in order to attain the elixir of life. Watercolour painting by E.A. Ibbs after Salomon Trismosin.
  • Nossa Senhora da Boa Morte (the Virgin of Boa Morte) in Coimbra. Lithograph by Michellis.
  • John baptises Christ; two angels watch. Engraving by T. Crüger, ca. 1617, after A. del Sarto.
  • The Annunciation to the Virgin, who reads from the Bible. Engraving by S.A. Bolswert after P.P. Rubens.
  • A prince, clad in gold, succeeds the King; representing a stage in the alchemical process. Watercolour painting by E.A. Ibbs.
  • The Annunciation to the Virgin, who stands before a lectern. Engraving after F. Zuccaro.
  • The Annunciation to the Virgin. Engraving by N. de Bruyn, 1622.
  • Two physicians are reconciled by another, overseen by a duck-like parody of the Holy Ghost. Lithograph by F.E. Regamey after himself.
  • The angel, announcing the birth of Christ, comes with a sceptre to the Virgin. Tinted lithograph by N.J. Strixner, 1821, after School of Meister Wilhelm.
  • Birds on a farm: cockerels, hens, chicks and doves. Etching by F. Place after F. Barlow.
  • Tongues of fire descend on the apostles at Pentecost. Lithograph.
  • The angel, announcing the birth of Christ, gives a lily to the Virgin. Lithograph by F. Decraene after B. Murillo.
  • A treatise on domestic pigeons; comprehending all the different species known in England ... With observations and remarks on their diet. The distempers they are chiefly subject to, and the method of curing them ... To which is added, a ... description of ... the Almond Tumbler / Carefully compiled from the best authors.
  • The Visitation of Mary to Elizabeth. Engraving by B. Eredi after F. Barocci.
  • The resurrected Christ appears before the apostles and other people. Etching.
  • A ring-dove or wood pigeon. Etching by G. Smith, ca. 1775, after W. Hayes.
  • A dove stands on crossed keys holding in its wings a chart showing the good, bad or indifferent effects of each sign of the zodiac on different human activities. Engraving by P. Miotte, 16--.