concept

The rape of Lucretia by Tarquin. Line engraving by C. de Passe after J. van Winghe, 16--.

A man attempting to embrace a young woman, a dog biting his bag; a guard holding a sword in the background. Lithograph, ca. 1860.

Pluto in a chariot snatches Proserpine away from her companions. Mezzotint by J.G. Huck, 1804, after J. Amigoni.

Corisca and the satyr: he pulls at Corisca's hair, trying to rape her, but he has seized a hair extension, enabling her to push him over and run away to safety. Crayon-manner by W.W. Ryland, 1763 after F. Lauri.

The centaur Nessus being shot by Hercules while carrying off Deianeira. Engraving by B. Franco.

The rape of Europa. Engraving by J. Frey after F. Albani.

Soldiers plundering a convent, killing and raping the men and women that resist them. Etching after J. Callot, ca. 1633.

Soldiers sacking a mansion and torturing its inhabitants. Etching after Jacques Callot, ca. 1633.

Three women seated around a table discussing the prospect of being raped in a potential revolution. Etching, 1831.

The centaur Nessus carrying off Deianeira. Engraving by J. Audran after G. Reni.

Killing time.

The centaur Nessus carrying off Deianeira. Etching with aquatint by F. Bartolozzi after G.B. Cipriani.

The rape of Lucretia by Tarquin. Line engraving by C. Cort after Titian, 1571.

Rape culture and mental health / Slutwalk Chicago.

Algumas proposições medico-legaes sobre a virginidade e o estupro : these apresentada e publicamente sustentada perante a Faculdade de Medicina do Rio de Janeiro em 13 de outubro de 1849 / por José Francisco de Souza Lemos.

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Killing time.

The centaur Nessus carrying off Deianeira. Etching with aquatint by F. Bartolozzi after G.B. Cipriani.

The rape of Lucretia by Tarquin. Line engraving by C. Cort after Titian, 1571.

Rape culture and mental health / Slutwalk Chicago.

Algumas proposições medico-legaes sobre a virginidade e o estupro : these apresentada e publicamente sustentada perante a Faculdade de Medicina do Rio de Janeiro em 13 de outubro de 1849 / por José Francisco de Souza Lemos.